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The key is incorrect here. It's a blues in F, not in D.

Still some of the greatest bars ever played

Perfection

0:05.38

👍

Nice !!!!!!!!! Also see a version of "Au Privave" entirely based on white noise! ua-cam.com/video/-wpIBHSoIJI/v-deo.html

0:34 I can't help but think of the Mario Kart lick

0:05

This is an amazing transcription. Do you make it available as a download, please?

Nice work except it is originally in the Key of F for us non alto folks

Key for the transcription is a whole step off the recording. Other than that it's perfect.

0:25

Great. Thanks for transcribing this.

Chaque fois que j'entends saxophone colossus, je suis époustouflé par l'art de Rollins qui était déjà à son sommet en 1956

0:32 0:32 0:32

Miles seems to instinctively understand and cut to the essence of a tune. He can say more with 4 quarter notes than any musician I can think of. Heck, he says more than most musicians with what he doesn't play. He demonstrates that less is more.

at bar 36 one of my favourite Bird's line

simple but tasteful

How did you transcribe the chords?

Can I get a transcription of this

This shit is hard... and it's the Jazz ensemble audition piece D:

my bible

Charlie Parker Session Details November 24, 1950 (7 items; TT = 32:18) Folkets Park, Hälsingborg (Sweden) Private recording (Tape) Charlie Parker and His Swedish All-Stars Charlie Parker (as); Rolf Ericsson (tpt); Gösta Theselius (p); Thore Jederby (b); Jack Noren (d)

See here for a version with the piano comps and bass line plus some analysis ua-cam.com/video/U5IHLMIsbtk/v-deo.html

0:10 0:28 0:49 1:09 1:30

Listened to this while constipated and my shit actually came out. Thanks

anyone have any tips to start learning this and what tempo to take it at

nice job man 👍🏼

great work 👍🏼

Blues or Be bop?

Amazing!

Miles Davis's time is just sick. Makes the band groove so hard...Like Herbie Hancock has said, Miles would get the band to grooving so hard it was like being in the Garden of Eden.

is there a way to download and print the transcription?

First 10 seconds get control of the reed ... squeak!!

0:05

It sounds like the pitch is shifted down a half step which is really weird if you're trying to play along with the recording.

damnnn this is so wrong

there are a lot of mistakes on the notes

Anyone know where i can get this transcription?

0:16 0:16 0:16

One of the ways birds solos greatly vary in the the body of his output, is in the manner and degree with which he used own devices, cliches and pet phrases. There are some solos where these seem more “plugged in” 'with varying degrees of repetitiveness (as in the repetitive use of the phrase in question in this solo), some solos where they more directly serve his creativity and merge into the melodic content and structure of the solo, and then other solos where they are far less evident and his playing seems especially creative and free. I think that in this last category bird reaches a transcendent level that remains entirely unsurpassed to this day. For a good example of this listen to his astonishing solo on The Street Beat from the incredible One Night in Birdland with Powell and Navarro.

I am listening to it at .45 speed and air-trumpeting it with my fingers.

Yes!!

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What a solo! timing and technique are just marvelous! Musicianship anyway, but that's a given with Miles!

Well! He puts five or six notes in his solo, and it sounds fantastic!

Muchas Gracias !

My trumpet is rubbish .It cant play this!

We all know this is Parker's solo but it doesn't sound like him playing. Let me know if I am wrong.